artistry

Of Apprenticeships, Marketing and Patience…

[Writer’s Digest]–“What’s the most important change happening in the publishing industry right now that’s impacting the future of the author-agent relationship?”

[Agent–Paige Wheeler of Folio Literary Management]: “The change in the delivery mechanism is huge. Barriers of entry to publishing are down, and authors are able to make (their work) available to anyone with an Internet connection. It’s still a small percentage of the business, but it’s growing. ..the two biggest obstacles to success seem to be spectacular editorial content and the market capability to reach a vast audience. At Folio, we’ve been exploring opportunities (for) providing outside services (marketing, speakers services, licensing, apps) to really serve (authors’) needs.”

–Evolution of the Literary Agent, Writer’s Digest, October 2010

Agent, Paige Wheeler’s response to the question presented by the interviewer from Writer’s Digest gives a succinct summary of the new world of publishing that is available to writers and authors in connecting with readers.

Her comments also tell what we must do to be successful as career authors.

Of Apprenticeships, Marketing and Patience… Read More »

Of Reversals, Plausible Endings and the Artistry of Thwarting Expectations…

“A successful resolution thwart the our expectation; it doesn’t (fully) satisfy them.”—-Peter Selgin, 179 Ways to Save a Novel: Matters of Vital Concern to Fiction Writers

Reversals sit at the heart of a successful resolution. And since novels consist of a continual list of crises fostered by a string of obstacles, both physical and human writers must embed our stories with a minefield of reversals.

But what is the true nature of a reversal?

Of Reversals, Plausible Endings and the Artistry of Thwarting Expectations… Read More »

Of Plot, Authenticity, and Knowing Who We Are…

“A story should generate it’s own actions and emotions organically…A story should be authentic…made of stuff that has never been appropriated from other forms of narrative art…other stories…movies or television. Or it has it should be sufficiently re-processed through the author’s unique sensibilities so the resulting work has its own authenticity.”

–Peter Selgin, 179 Ways to Save a Novel: Matters of Vital Concern to Fiction Writers

A story should have it’s own unique characters and plot.

Well if this be the case why are writers encouraged to read for more than the experience of learning writing technique?

Of Plot, Authenticity, and Knowing Who We Are… Read More »

The Muse, Mystery and Grace…

“It isn’t easy. Nobody has ever done it consistently. Those who try hardest, scare it off into the woods. Those who turn their backs and saunter along, whistling softly between their teeth, hear it treading quietly behind them, lured by a carefully acquired disdain.

We are speaking, of course, of The Muse.”

–Ray Bradbury, Zen in the Art of Writing/Essays on Creativity

Many people imagine the life of a writer as one of awakening each morning to a flowing stream of words that pour onto our writing tablet or through our fingers and onto the computer string, our greatest challenge being that of writing or moving our fingers quick enough on the computer keys to catch the words.

There are times like that. But more often than not, we struggle to find those words that ideally give readers a smooth ride into the escape of our stories and novels.

A more honest way of describing what we do is to say that the smoother our sentences flow and the more intense a readers entrancement into at story, the more the writer toiled at kneading and carving that ease of journey presented in the magic carpet of our words.

But what of The Muse?

The Muse, Mystery and Grace… Read More »