dialogue

Of Vipassana, The Trauma of Birth, and Swords of Healing…

Buddhist teacher and vipassana meditation teacher, Thich Nhat Hanh, once said, “To bring about peace we [human individuals] must learn to live with peace.”

Agamemnon, brother of Menelaus and wife of Clytemnestra, declares in Homer’s Iliad, “Peace is for the women, and the weak. Empires are forged by war.”

While Clytemnestra’s role is unclear in Homer’s Odyssey, according to the Iliad, Agamemnon dies at the hands of wife when,

Of Vipassana, The Trauma of Birth, and Swords of Healing… Read More »

Katherine Harms–writer aboard S/Y No Boundaries

When I first began writing, I wanted to write, because I wanted to have published something.

In 2000, I started writing, because I had something to say.

In 2000, during Lent I studied the life of Hannah, the mother of Samuel as a model for making sacrifices.

By the autumn, I was working on a novel about Hannah.

I had discovered that her faith journey in ancient Israel had many parallels with the faith journey of a woman in the twenty-first century, despite the three millennia that separated Hannah and me.

In 2004, my book, Hannah’s Journal, placed third in a field of 270 entries in the Christian Writers Guild First Novel Contest.

That book is still unpublished, but my success in the contest invigorated me.

I soon tackled two more novels, which are at present unfinished. The reason is that I continued to develop a better sense of direction as a writer.

In the beginning, I almost dismissed my non-fiction writing as busy work, something to do when I couldn’t think of any stories.

I wrote meditations, prayers, worship guides, articles and teaching plans.

While I struggled with the problems of plot, character development, setting, dialogue and so forth that are part of the craft of a fiction writer, I wrote commentary and background spontaneously, as a natural outgrowth of my research.

One day I had the mind-boggling revelation that it was possible to be a successful writer without selling a novel.

Katherine Harms–writer aboard S/Y No Boundaries Read More »

Motion, Identification and The Inertial Frame of Reference…

“Everything moves. Everything …motion is just a manifestation of going from one spot to another spot in space. When we are trying to understand motion all of the things that we measure from have to come from an inertial frame of reference. An inertial frame of reference is a reference frame that is moving at a constant speed and not changing direction.”

–Motion and Relativity, Dr. Charles Liu, Research Associate @ the Department of Astrophysics, American Museum of Natural History

The backbone of a story, particularly an entertaining and engaging one is motion, movement from one place in conscious and consensual reality to another.

Amplifying the reader’s engagement with the internal movement of the story, the emotional thread requires clarification of setting and displaying the subtle shifts that take place and occur in perception of setting reflective of one’s internal changes.

These changes are usually transmitted, or rather shown through the eyes and physical senses of the protagonist who is also the point-of-view character.

Motion, Identification and The Inertial Frame of Reference… Read More »

Of Pawns, Rooks, Knights and Bishops…

This weekend I played my first game of chess.

My eldest now 23 learned the game from my husband. Like the cello, I have always admired people who played chess.

It truly is a game of thought, forethought and reasoning. Unlike the game of checkers that I learned as a child and play with my youngest who is eleven, chess pieces have names and characters.

Like the elements of fiction, these characters or pieces have 1 or 2 directions in which you can move them, defined tasks that propel the plot of the game.

Of Pawns, Rooks, Knights and Bishops… Read More »

Showing Up…

Should the protagonist not appear, in court when summoned, the judge renders a default in favor of the opposing character, whether they be defendant or plaintiff. The character has failed to present and/or make her or his case for a story. And so has the author. All forward motion of plot ceases. No story exists,

Showing Up… Read More »